… timing.
Got a few more of these “Writing Funny” tips that stood out:
Truly, I think this this is what makes writing funny more difficult than performing funny. In a performance, you can hold for a split-second to be sure the audience is following before hitting them with the punchline. Then, you can stop, start, speed up, slow-down, repeat, change your inflection, or pull the escape hatch with your joke based on the immediate feedback you’re audience gives you. With prose in print, you’ve given up that control–leaving you only two weapons: word choice and punctuation . . . and you have almost no control over when or how it will hit your reader.
Scott Dikkers acknowledges that in How to Write Funny, and offered a few tips. Don’t be afraid to PUSH or stress for emphasis. It’s OK to break. things–up–with punctuation. Even offering points of elipsis. One. Word. Sentences. Or using
- Bullet Points
- for
- Clarity
- or Emphasis.
Because timing . . . is everything. And you’ve got a limited weapons cache with prose.

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